In a real tube amp, distortion increases or decreases with a continuous rate of change based upon the guitarist’s dynamic expression. Generally, amp models don’t respond to your playing the way an actual amp does. Let’s talk about the musical problem it solves. Okay, it really stands for Dynamic Saturation Modeling. Up against the makers of major musical mojo since 1946, IK had to come up with some serious mojo too–and they did, with their DSM (Damn Series Mojo) technology. ![]() To get that blessing, IK spent two years (that’s like 20 in software years) working closely with Fender engineers. With that in mind, let’s talk about AmpliTube Fender and AmpliTube Fender Studio, and what it means to have the blessing of Fender’s hyper-picky, ultra-militant tone gurus. In fact, Fender is so militantly nitpicky and protective about the sound of their guitars and amps that no software modeler has ever been allowed to use the Fender name outright–until Fender and IK Multimedia teamed up to give you the full-on Fender tone experience.Ī further bit of insider info: there’s never before been such an intense collaboration between hardware and software manufacturers–and to get it right, Fender chose IK Multimedia. ![]() ![]() I’m going to let you in on a little high-level industry info: Fender is hyper-picky (but in a good way).
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